#Blue is the warmest colour movies movie#
#Blue is the warmest colour movies full#

There are other characters вЂ“ both their parents turns up in separate scenes, as do their different group of friends вЂ“ but weвЂ™re focused entirely on these two. The story takes its time but it does that so we get to understand and know these two women so that when that second half rolls around it hurts all the more.Дespite its incredible length we only really get to know Adele and Emma. Adele especially has troubles with her confused sexuality, troubles she canвЂ™t share with Emma for fear of losing her. The longer Adele and Emma stay together, the less they see in each other.

The second half is a much more emotionally devastating and hard-to-watch piece. However, thatвЂ™s only the first half of the film. As the two woman enter a relationship with each other, they open up emotionally and sexually, growing together as a couple. Enter Emma, a blue haired artist who captures AdeleвЂ™s attention and later, her heart. She tries to have a relationship with a boy at her university, but is left unsatisfied. When we start the film sheвЂ™s not a lesbian, and hasnвЂ™t thought about it. The majority of the film is centered on her relationship with Emma (LГ©a Seydoux), but the main drive is Adele and her own identity issues.

#Blue is the warmest colour movies movie#

While billed as a lesbian romance film, the movie is actually about Adele (AdГЁle Exarchopoulos), a French Literature student searching for her sexual identity.

#Blue is the warmest colour movies full#

But itвЂ™s not hard to see why this 3-hour coming-of-age tale spends almost its full time focussed on this one relationship leading to one of the rawest romances in cinema, and one of the best. Whether Steven Spielberg and his jury feel the same way as the reviewers about the power of Kechiche and his actresses, only time (until Sunday) will tell.With raw direction, phenomenal acting and a hard-hitting narrative, itвЂ™s a must-seeВ romantic drama.Д«lue Is The Warmest Colour, based on the graphic novel of the same name by Julie Maroh, made history in 2013 by being the first Palme dвЂ™Or winner to have the award given to both its director and its two lead actresses. He makes reference to Pierre de MarivauxвЂ™s La Vie De Marianne (reflected in the filmвЂ™s French title, La Vie DвЂ™ AdГЁle: Chapitres 1 Et 2).ДЄt the core of the directorвЂ™s concerns is the way the life of the couple will fracture over the years вЂ“ split by their different vocations (AdГЁle a teacher, Emma a painter) and the gap that separates them in terms of ambitions, backgrounds, education and fulfilment and their means of achieving happiness. Shot in a naturalistic manner, the amount of sex on view may deter some viewers but KechicheвЂ™s thesis about the way desire and yearning can hold sway on other emotions requires such close-up explicitness. The way the mild-mannered Kechiche pulls you in to the nuances of the relationship makes most screen attempts at portraying intimacy and feelings pale into insignificance. Similar in tone to his 2003 film Games Of Love And Chance (L'Esquive), this sees Kechiche chart in great emotional and physical detail the development of the relationship as the two women get it together, part and then meet up again. The pair meet and after a hesitant start soon are in the throes of a torrid passion and a fusion of вЂњbody and soulвЂќ as they discover their true selves.

AdГЁle Exarchopoulos incarnates AdГЁle, a school girl from a working class family in Lille, who never questions the fact that she is destined to go our with boys. LГ©a Seydoux is Emma, the girl with blue hair, in her fourth year at the Fine Arts Academy. To suggest at this stage in the Cannes Film Festival Competition that a film featuring ultra explicit sex scenes between two young women over the course of a three-hour running time could be a favourite for the Palme dвЂ™Or might indicate a bout of temporary insanity.ДЄbdellatif KechicheвЂ™s non-voyeuristic study of the discovery of female passion and sexuality, however, has demonstrated an ability to move and ensnare the critical consensus unlike any other film in the Competition so far.